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Luke is a young playwright—intense, magnetic, and eager for life. He escapes a disastrous upbringing in the northeast and, arriving in London, meets Paul Driscoll, an aspiring producer, and the beautiful, fiery Leigh Radley, the woman Paul loves.
The three set up a radical theater company, living and working together, forging a romantic connection in candlelit rehearsal rooms during power cuts and smoky late-night parties in Chelsea's run-down flats. The gritty rebellion of pub theater is fighting for its place against a West End dominated by racy revue shows and the giants of twentieth-century drama.
Nina Jacobs is a fragile actress, bullied by her mother and in thrall to a controlling producer. When Luke meets Nina, he recognizes a soul in danger—but how much must he risk to save her?
Everything he has fought for—loyalty, friendship, art—is drawn into the heat of their collision. Now everything Luke values, even the promise of the future, is in danger. Suddenly the fallout threatens to be immense.
- Sales Rank: #3077707 in Books
- Published on: 2015-05-05
- Released on: 2015-05-05
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .97" w x 5.31" l, .0 pounds
- Binding: Paperback
- 432 pages
From Booklist
*Starred Review* This intoxicating, deeply romantic novel of theater, love, and friendship is set in London during the 1970s. Luke Kanowski is desperate to escape his provincial hometown and the specter of his mentally ill mother, locked away in an asylum, and his depressed father, who numbs himself with drink. When Luke moves to London and falls in with aspiring producer Paul Driscoll and Paul’s girlfriend, Leigh Radley, he finally feels that he has found a home for himself, both personally and artistically. The three form a repertory company, madly building sets, holding casting calls, and searching for the best scripts. And although Luke is loath to show anyone his work, he spends hours locked in his room, pouring his experiences onto paper. When he finally emerges with a script that becomes a hugely successful play, he finds that artistic triumph is more complicated than he could ever have imagined, especially when his married lover, fragile actress Nina Jacobs, becomes obsessed with landing a part in the play, despite the fact that she is wrong for the part. With both microscopic precision and operatic emotions, Jones, in her fourth novel (after The Uninvited Guests, 2012), perfectly captures the exhilaration of the young and the talented as they find their footing in both art and love. --Joanne Wilkinson
Review
“Jones is unflinching as she plots the course of fallout with no shelter, of wounded lives undone by desperation in love and art.” (The New York Times)
“The strength of Fallout is the insistent thread of hope that runs through all the humiliation and bad behavior. The result is…a fuller, more emotionally satisfying story.” (The Wall Street Journal)
“The novel is at its best when the characters quietly seek an audience for their pleasures, their pains, and the ‘more permanent wounds of their longer lives waiting, undiscovered.’” (New Yorker)
“[A] wonderful read. Surprising depth of character, accidents of fate that feel like life, and emotional FALLOUT that heralds new maturity, make this a very satisfying novel.” (Not Another Book Review (Blog))
“Emotionally charged.” (Glamour)
“An intoxicating, deeply romantic novel of theater, love, and friendship…With both microscopic precision and operatic emotions, Sadie Jones perfectly captures the exhilaration of the young and the talented as they find their footing in both art and love.” (Booklist (starred review))
“An intoxicating and immersive read... It is a fraught and compelling novel; one that replays itself uncomfortably in the mind long after it is finished.” (Lucy Atkins, The Sunday Times)
“Beautifully written... An intense and absorbing story.” (Deirdre O'Brien, Sunday Mirror)
“An intelligent, pacy tale of pretty, talented people, striving for recognition but held back by their past…. Every summer needs a One Day-style read; this book is a contender for that crown.” (Anne Ashworth, The Times)
“On a par with the Barneses and McEwans of this parish… Jones’s gift - like all great writers - is to leave us wanting so desperately to believe that the story will continue without us once the scenery has been cleared away.” (Elizabeth Day, Observer)
“Jones highlights beautifully the energetic, naive, cheap red-wine fug of the Seventies start-up, and its decadent antithesis, the emptiness of fatally compromised success.” (Catherine Taylor,
Most helpful customer reviews
5 of 5 people found the following review helpful.
Fallout
By Sandra Iler Kirkland
They came together in their twenties, each eager to make their way in the world of English theatre. Luke Kanowski has come to London from his little English town, not sure how he will work his way into the world of theatre, but knowing that he must. Luke has written for years and has a box full of plays. He meets his two best friends, Paul Driscoll and Leigh Radley, who are also fighting for a chance to make it in the world. Paul is a producer. He knows he doesn't have creative talent but has a feel for what works and what doesn't on stage. Leigh hopes to direct, but fills in the time doing stage management.
Luke feels at home with Paul and Leigh and they all live together in a small flat. Paul and Leigh are a couple and Luke is with family when he is with them. As time goes on, the trio start to have success as Luke's plays are commissioned and put on stage. Paul, of course, is involved in their production and Leigh keeps everyone sane. Then Luke meets Nina. Nina is an actress, never sure of her talent. She is married to Tony, who is manipulative and cold, but as soon as she and Luke meet, the fireworks explode. Luke must have her, regardless of what it takes. Soon it takes everything.
Sadie Jones has written a breathtaking novel that keeps the reader turning pages. Everything is there; friendship, love, romance, betrayal, forgiveness and hate. The reader is drawn into the lives of these friends and must read on to see if their lives can work out as the years conspire to take things from them. Sadie Jones was a finalist for the Orange Prize for Fiction with her novel, The Outcast, which also won the Costa First Novel Award. Fallout will also probably be nominated for awards as it is a book that cannot be ignored. Jones captures the creative urge and what individuals will sacrifice for the chance to be part of a creative world. This book is recommended for readers of literary fiction.
4 of 4 people found the following review helpful.
"The fallout that had warped his heart."
By Amelia Gremelspacher
This novel is about the failure of mother love. In the end, the point of the intersecting love triangles had not been raised in human love. Luke's mother is insane and lives in an asylum. All his best efforts cannot save her, and as an adult, he misses the connection to women as one he can successfully maintain. The charismatic Luke is drawn to Nina, abandoned to an aunt until old enough to server as the focus of her stage mother. The constellation of missed opportunities and the love that Luke is meant to find, is complex. All in all it is a witty book with some pithy and apt observatons on life and love. Many of the scenes are exceptional in their ability to touch on the realities and pains of love.
My primary problem is the central assumption that these characters can be fatally wounded from childhood. It has some patent truth, but these characters are too complex for this simple poison to shape all of a lifetime. Luke's other love interest Leigh is of a solid background and she recognizes the stain , "the fallout" of Luke's core. As beguinling as it is, the premise is just too simple to account for all the damage that these intelligent and thoughtful people wreck on each other and the world.
3 of 3 people found the following review helpful.
Its the impetus that Luke needs to escape his dull life in an office job and run away to ...
By Catherine F Hanrahan
Fallout is the story of four young people trying to make it in the world of experimental theatre in 1970s London. In a chance meeting in his Lincolnshire village, Luke Kanowski meets the fiery Leigh Radley and Paul Driscoll on their way to meet a playwright. Its the impetus that Luke needs to escape his dull life in an office job and run away to London and immerse himself in the theatre world. He's leaving behind a mother who has been in an asylum nearly all his life, and a father who is slowly drinking himself to death. Luke and Paul set up their own theatre company called Graft, while Luke secretly writes plays at night and Leigh works as a stage manager to pay the bills.
Luke and Paul are strongly attracted to Leigh, but its Paul she chooses when Luke rebuffs her.
Running parallel is the story of Nina Jacobs, a budding actress whose life will intersect with the other three in a dramatic way. She's grown up with a mother who is a monster - a fading narcissistic actress who is now pinning her hopes on her daughter. A critical step is marrying her off to the successful and influential but cruel Tony Moore.
When Luke's first play is critically acclaimed, its seems natural that Paul and his new theatre company will produce his second offering. But Luke has become entangled with Nina and the liaison will have huge ramifications for all of them.
There are so many things to love about this book. The characterisation is brilliant. Luke, Nina, Leigh and Paul are all convincingly portrayed and always consistent. Luke is emotionally stunted as a result of his neglected upbringing and the way he clings to Paul and Leigh in the flat they share as his replacement family is touching and believable. He beds lots of women but is unable to have a fulfilling relationship and the reader's sympathy is with him all the way.
I read an interview with Sadie Jones talking about the character of Nina and how she created in Nina the kind of woman she really hates. But I felt sorry for Nina because her mother was so dreadful and even at her worst, I could not help but see what a tortured soul she is.
The period is brilliantly evoked, from the walks through dark streets during the power cuts, to the fears that the bomb has been dropped, the grimness of 1970s London is painted very subtly. Jones does well to drop in these details without straining, which I find a problem in some historical fiction. You can almost smell the beer wafting up the stairs of the pub theatre.
And there's some outstanding writing - Luke seducing the au pair at a party, 'and his thoughts were reduced gratefully to the heated maths of getting inside her clothes, taking up all of him in blessed focus' and overcome with desire 'burning and aching within and without from her imprint'.
The plot is not complex but evolves from the distinct failings of the characters and their obsessions. The climax and ending are really satisfying for this reason.
And that reminds me of an article I read recently on writing tips from Booker Prize winners. The one that stayed in my mind was from Arundhati Roy, the winner in 1997 for The God of Small Things.
She said “…the secret of the Great Stories is that they have no secrets....They don’t deceive you with thrills and trick endings. They don’t surprise you with the unforeseen...You know how they end, yet you listen as though you don’t."
This is the best book I've read this year and I've already added Sadie Jones' other books to my birthday wish list.
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